Most projects deliver 10 to 21 days after the shoot. Rush is available.

I guide story beats and interview prep. Truth over acting.

Bay Area and beyond. Travel is billed separately.

Every project is scoped to what it needs to do. Tell me about yours on the contact form, including your budget range, and I’ll come back with a clear proposal. No guessing, no surprise line items.

It depends on the project, and your proposal spells it out before anything starts: how many videos, how long, and in which formats. A brand film delivers one finished piece built to carry your story. A creator day delivers a library of reels ready to post. Either way, you get versions cut for the platforms you actually use, vertical for social and widescreen for your site.

Both. If you already have footage, I offer editing-only packages, and editing work can be done remotely for clients anywhere.

Not if I’m doing my job. Most of my clients say the same thing before we start. I don’t hand you a script and point a lens at you. We talk. I listen. The best moments come when you forget the camera is there, and I build the shoot around getting you to that point.

Less than you think. A short creative call up front, a planning check-in, the shoot itself, and a review of the cut. I handle the logistics, the gear, and the edit. Your job is to show up and be yourself.

Not without a license, and licensing a hit song for business use usually costs more than the film itself. Unlicensed music gets videos muted, flagged, or taken down, often right when they start getting views. I score every project with professionally licensed music chosen to fit your story. If you already hold the rights to a specific track, I’m happy to use it.

Yes. If you want fresh films and reels every month without starting from scratch each time, I offer monthly packages built around a regular shoot day and a steady flow of edited content. You’ll always have something new to post, and I’ll already know your brand inside and out.